Childhood friends Hyeon-nam and So-ra are currently attending the same university. So-ra has a knack for Hyeon-nam, but his heart is focused on Eun-bi, a college assistant. La-ik, a cafe owner who dazzles Hyeon-nam, teaches him how to steal Eun-bi's heart.

On holiday, with his family, nothing to do and his wife ill, Sasha (Alexander) is only too pleased to meet again the girl he loved at 17.

There seems to be a new gang of troublemakers lurking around lately. A notorious group of young men committing a string of crimes throughout the neighborhoods. Led by their notorious leader, Joey Hard, the House Bangers, as they call themselves, have shown no restraint. It seems that what these misguided youths get off on is breaking into your house and then getting off all over your couch, each other, the carpet, the family pet- whatever you got. Oh, the depravity! And if that wasn't enough, they also apparently film the whole thing for repeated viewing enjoyment.

An anthology of three short films by Kim Jeong-in, Jung So-young, and Hwang Seul-gi. It uses food and people to capture the warmth of everyday life that everyone can relate to.

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A show that brings out secret dishes and strengthens the bonds between bickering besties Tay and New and their famous friends.

Hee-soo goes to her ‘rich lover Seok-ho’ while her husbands is on a business trip. Her younger brother Hee-yeong and her husband Jeong-tae are also together. Hee-soo introduces Seok-heo to Hee-yeong and Jeong-tae, and Seok-ho falls in love with Hee-yeoung at first sight. As Seok-ho tries to avoid Hee-soo’s eyes, and meet with Hee-yeong’s eyes instead, he decides to take advantage of Jeong-tae. Jeong-tae who dreamed of having sex with Hee-soo, seduces her, and while Hee-soo and Jeong-tae were playing, Seok-ho wins and took Hee-yeong as price. These people who are complicatedly intertwined, are at a crossroads to choose whether to disperse or become a new family.

Through all the years, someone was watching over him but he never knew.

The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerda. The intense emotional plot highlights the absurdity of the characters' behavior.